Snakes of the Urnes (Pendant in gold)

Norse Symbol, 50 x 50 mm, 24 Carat Gold plated, two-faced design

Urnes stave church (Norwegian: Urnes stavkirke) is a stave church at the Ornes farm, near Lustrafjorden in Luster municipality, Sogn og Fjordane county, Norway. Drawing by I. C. DahlThe church was built around 1130 or shortly thereafter, and still stands in its original location. The church is believed to be the oldest of its kind. It provides a link between Christian architecture and the architecture and artforms of the Viking Age with typical animal-ornamentation, the so called "Urnes-style" of animal-art. Archaeological investigations have discovered the remains of one, or possibly two, churches on the site prior to the current building. The excavations uncovered holes in the ground from earth-bound posts which had belonged to an early post church, a type of church with walls supported by short sills inserted between free-standing posts. It is not known if this church had a raised roof above the central space of the nave like the present church. The earliest possible dating of this church is the early eleventh century. In the 17th century the nave of the church, which is a raised central room surrounded by an aisle, was extended southwards. Other elements were also added to the church, including a baptismal font (1640), a wooden canopy above the altar (1665) and a pulpit (1693–1695). The altarpiece, which depicts Christ on the cross with the Virgin Mary and John the Baptist, dates from 1699. Windows were added to the church in the 18th century. The portal and other details of the north wall of the present church, as well as the wall planks of the gables, are decorated in classic Urnes-style. They are probably relics from one of the earlier churches. It has been speculated that the portal may originally have been the main portal, facing west. There have been numerous attempts to interpret the decoration (iconography) of the church's most remarkable part, the old portal in the northern wall. The images are generally considered to represent a snake curling upwards. At the lower end there is an animal with four feet biting the snake. A common interpretation of this scene is that it portrays the eternal fight between good and evil. The animal is widely believed to be a stylised lion. In Christian iconography the lion is a symbol of Christ, fighting the evil symbolized by the snake, a common representation of Satan. On the other hand, it is possible that the decoration of the earlier church featured some scenes from Norse mythology, a likely reason for its premature reconstruction in the 12th century. In this context, the animal may be interpreted as Níðhöggr eating the roots of Yggdrasil. "The intertwined snakes and dragons represent the end of the world according to the Norse legend of Ragnarök".